E7 • Here I Go Again

E1 • JFK --> LAX

Hank is looking for a ticket out of New York after his latest breakup. He accepts an invitation from Charlie to come to Los Angeles for a job writing a film starring rapper/actor Samurai Apocalypse, then reunites with Karen, her now-husband Richard, and daughter Becca.

28m • 2012

Hank is looking for a ticket out of New York after his latest breakup. He accepts an invitation from Charlie to come to Los Angeles for a job writing a film starring rapper/actor Samurai Apocalypse, then reunites with Karen, her now-husband Richard, and daughter Becca.

E2 • The Way Of The Fist

Hank passes on writing Samurai Apocalypse's new movie but Sam won't take no for an answer and drags Hank to a meeting with director Peter Berg, where they discover that Hank and Peter have shared more than just a love of the written word.

28m • 2012

Hank passes on writing Samurai Apocalypse's new movie but Sam won't take no for an answer and drags Hank to a meeting with director Peter Berg, where they discover that Hank and Peter have shared more than just a love of the written word.

E3 • Boys & Girls

Hank delivers a completed draft of "Santa Monica Cop" to Samurai Apocalypse but his attempts to leave town are once again thwarted when he's asked to show a night on the town to Kali, his "acquaintance" from the flight to Los Angeles.

27m • 2012

Hank delivers a completed draft of "Santa Monica Cop" to Samurai Apocalypse but his attempts to leave town are once again thwarted when he's asked to show a night on the town to Kali, his "acquaintance" from the flight to Los Angeles.

E4 • Waiting For The Miracle

Hank receives an unwelcome surprise in the form of Carrie, ex-girlfriend and arsonist that he's forced to invite along when Karen and Becca show up to invite him to a dinner party.

27m • 2012

Hank receives an unwelcome surprise in the form of Carrie, ex-girlfriend and arsonist that he's forced to invite along when Karen and Becca show up to invite him to a dinner party.

E5 • The Ride-Along

Charlie's boyhood dream is realised and Hank's worst nightmare comes true when Samurai Apocalypse invites the boys on a ride-along with the Santa Monica Police Department and takes them on a joyride that goes sexually awry for Charlie.

27m • 2012

Charlie's boyhood dream is realised and Hank's worst nightmare comes true when Samurai Apocalypse invites the boys on a ride-along with the Santa Monica Police Department and takes them on a joyride that goes sexually awry for Charlie.

E6 • Love Song

When Samurai Apocalypse hits a lyrical roadblock with his protege, he calls on the best writer he knows: Hank Moody, who unites with Kali to imbibe, bear his soul, and write a song that takes Hank back in time to an era when life was simpler.

27m • 2012

When Samurai Apocalypse hits a lyrical roadblock with his protege, he calls on the best writer he knows: Hank Moody, who unites with Kali to imbibe, bear his soul, and write a song that takes Hank back in time to an era when life was simpler.

E7 • Here I Go Again

Hank saves Karen from embarrassment with a drunk Richard, then covers for Richard by pretending to be dating a stripper named Holly, who takes a liking to Tyler and offends his girlfriend, Becca.

28m • 2012

Hank saves Karen from embarrassment with a drunk Richard, then covers for Richard by pretending to be dating a stripper named Holly, who takes a liking to Tyler and offends his girlfriend, Becca.

E8 • Raw

Hank is stuck reading Tyler's screenplay but discovers some talent under that head of hair, even though the script appears to be a disturbingly autobiographical account of the author's relationship with Becca.

28m • 2012

Hank is stuck reading Tyler's screenplay but discovers some talent under that head of hair, even though the script appears to be a disturbingly autobiographical account of the author's relationship with Becca.

E9 • At The Movies

On the first day of production on Hank Moody's latest movie "Santa Monica Cop", Stu has brought back his "F**king and Punching" director in hopes of creating a cinematic masterpiece, but Hank's rendezvous with the leading lady puts his relationship with Sam in jeopardy.

28m • 2012

On the first day of production on Hank Moody's latest movie "Santa Monica Cop", Stu has brought back his "F**king and Punching" director in hopes of creating a cinematic masterpiece, but Hank's rendezvous with the leading lady puts his relationship with Sam in jeopardy.

E10 • Perverts & Whores

Minus one agent and best friend, Hank crashes with his two favourite ladies, Karen and Becca. Looking for new representation, he meets with Hollywood power agent Larry Levine, who quickly sets a meeting with world-class filmmaker and Hank Moody idol Lars Manderhoff.

27m • 2012

Minus one agent and best friend, Hank crashes with his two favourite ladies, Karen and Becca. Looking for new representation, he meets with Hollywood power agent Larry Levine, who quickly sets a meeting with world-class filmmaker and Hank Moody idol Lars Manderhoff.

E11 • The Party

Hank overstays his welcome at the house of Karen and Richard and hits the road with one last stop at Malibar, where he runs into Lizzie, who uses her newly acquired acting chops to lure him back to the Runkle Manor.

28m • 2012

Hank overstays his welcome at the house of Karen and Richard and hits the road with one last stop at Malibar, where he runs into Lizzie, who uses her newly acquired acting chops to lure him back to the Runkle Manor.

E12 • Hell Ain't A Bad Place To Be

Hank discovers the bartender at a local watering hole is his late friend Lew Ashby and wonders if he's in Hell. Richard makes a startling announcement about Hank and Karen. Hank tries to make things right with Becca, but her news about Tyler leaves him stunned.

28m • 2012

Hank discovers the bartender at a local watering hole is his late friend Lew Ashby and wonders if he's in Hell. Richard makes a startling announcement about Hank and Karen. Hank tries to make things right with Becca, but her news about Tyler leaves him stunned.